{"id":1202,"date":"2021-02-01T23:07:02","date_gmt":"2021-02-01T23:07:02","guid":{"rendered":"https:\/\/nomadecrafts.com\/?p=1202"},"modified":"2025-03-24T18:42:19","modified_gmt":"2025-03-24T18:42:19","slug":"mosaic-door-sign","status":"publish","type":"post","link":"https:\/\/www.nomadecrafts.com\/tr\/mosaic-door-sign\/","title":{"rendered":"Mozaik kap\u0131 tabelas\u0131"},"content":{"rendered":"
\n\n\n\n

Mozaik yapmay\u0131 bir s\u00fcredir denemek istiyordum. Ya\u015fad\u0131\u011f\u0131m b\u00f6lgenin \u00e7evresinde \u00e7ok fazla in\u015faat yap\u0131ld\u0131 ve moloz y\u0131\u011f\u0131nlar\u0131nda \u00e7ok \u00e7e\u015fitli mozaik karolar\u0131 bulmak m\u00fcmk\u00fcn. <\/p>\n\n\n\n

Bu y\u00fczden renkli fayanslar\u0131 geri getirmek i\u00e7in bir hazine av\u0131na \u00e7\u0131kt\u0131m ve onlar\u0131 iyi bir \u015fekilde kullanmak i\u00e7in bir proje d\u00fc\u015f\u00fcnmeye ba\u015flad\u0131m. Seyahat ederken baz\u0131 insanlar\u0131n evlerine bir isim bulmalar\u0131 ve genellikle bunu kap\u0131lar\u0131n\u0131n yan\u0131na g\u00fczel bir tabelayla asmalar\u0131 her zaman ho\u015fuma giderdi. Bu y\u00fczden kendiminkini yapmam\u0131n zaman\u0131n\u0131n geldi\u011fini d\u00fc\u015f\u00fcnd\u00fcm! <\/p>\n\n\n\n

<\/div>\n\n\n\n\n\n
<\/div>\n\n\n\n

Gezinti<\/h2>\n\n\n\n
\n\n\n\n
\n
\n
\n

Tasar\u0131m\u0131n tahta levhaya aktar\u0131lmas\u0131 <\/h3>\n\n\n\n
\n
\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n

Tahta par\u00e7as\u0131 da bahsetti\u011fim g\u00fcr\u00fclt\u00fc y\u0131\u011f\u0131nlar\u0131ndan birinden al\u0131nd\u0131. <\/p>\n\n\n\n

Be\u011fendi\u011fim bir tasar\u0131m olu\u015fturmak i\u00e7in Inkscape kulland\u0131m. \u0130lham almak i\u00e7in \u00e7ok uza\u011fa bakmama gerek kalmad\u0131: evime 500 metre mesafede bir deniz feneri var ve yelkenli teknelerin ge\u00e7i\u015fini her g\u00fcn izliyorum.<\/p>\n\n\n\n

Desen \u00f6nce b\u0131\u00e7akla bas\u0131l\u0131p tahtaya \u00e7izilir, sonra siyah kalemle vurgulan\u0131rd\u0131. <\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n

Fayanslar\u0131 k\u00fc\u00e7\u00fck par\u00e7alara ay\u0131rmak<\/h3>\n\n\n\n
\n
\n

Bunu yapmak i\u00e7in uygun ara\u00e7lara sahip olmad\u0131\u011f\u0131m\u0131 hemen fark ettim. Ama yine de, epey \u00e7eki\u00e7lemeden sonra, \u00e7al\u0131\u015fmaya ba\u015flamak i\u00e7in farkl\u0131 renklerde k\u00fc\u00e7\u00fck y\u0131\u011f\u0131nlar elde ettim.<\/p>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n

Par\u00e7alar\u0131 tahtaya yap\u0131\u015ft\u0131rma<\/h3>\n\n\n\n
\n
\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n

\u00c7izimlerin oldu\u011fu alanlar\u0131 fayans par\u00e7alar\u0131yla doldurmak i\u00e7in fayans yap\u0131\u015ft\u0131r\u0131c\u0131s\u0131 kulland\u0131m. <\/p>\n\n\n\n

\u00c7ok, \u00e7ok uzun s\u00fcrd\u00fc. T\u0131pk\u0131 bir yapboz yapmak gibi, ancak bir sonraki ad\u0131ma ge\u00e7meden \u00f6nce yap\u0131\u015ft\u0131r\u0131c\u0131n\u0131n kurumas\u0131n\u0131 ve baz\u0131 par\u00e7alar\u0131n yerinde kalmas\u0131n\u0131 beklemeniz gerekiyor.<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n\n\n\n
\n

Al\u00e7\u0131 ile bo\u015fluklar\u0131n doldurulmas\u0131<\/h3>\n\n\n\n
\n
\n

Burada fayans par\u00e7alar\u0131n\u0131n aras\u0131ndaki bo\u015fluklar\u0131 doldurmak i\u00e7in normal al\u00e7\u0131 kulland\u0131m. <\/p>\n\n\n\n

Bunu daha \u00f6nce hi\u00e7 yapmam\u0131\u015ft\u0131m ve bo\u015fluklar\u0131 kolayca doldurmak i\u00e7in al\u00e7\u0131-su kar\u0131\u015f\u0131m\u0131n\u0131n olduk\u00e7a s\u0131v\u0131 olmas\u0131n\u0131n daha iyi olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcm. Bu iki nedenden dolay\u0131 bir hatayd\u0131: <\/p>\n\n\n\n

  1. Kar\u0131\u015f\u0131mdan \u00e7\u0131kan su, fayans yap\u0131\u015ft\u0131r\u0131c\u0131s\u0131n\u0131 yeniden nemlendirdi\u011fi i\u00e7in, doldurma i\u015flemi s\u0131ras\u0131nda baz\u0131 par\u00e7alar hareket etti. <\/li>
  2. Al\u00e7\u0131 kururken su buharla\u015ft\u0131\u011f\u0131nda, s\u0131va b\u00fcz\u00fcl\u00fcr ve baz\u0131 \u00e7atlaklar ve oyuklar ortaya \u00e7\u0131kar, bu y\u00fczden her \u015feyi e\u015fitlemek i\u00e7in ikinci bir dolgu ge\u00e7i\u015fi yapmak zorunda kald\u0131m. <\/li><\/ol>\n<\/div>\n\n\n\n
    \n
    \n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n<\/figure>\n\n\n\n

    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    \n\n\n\n
    \n

    Arkaplandaki son \u00e7al\u0131\u015fma<\/h3>\n\n\n\n
    \n
    \n

    Son olarak suland\u0131r\u0131lm\u0131\u015f al\u00e7\u0131y\u0131 f\u0131r\u00e7a yard\u0131m\u0131yla tahtan\u0131n \u00fczerine ve fayanslar\u0131n yanlar\u0131na bir kat uygulad\u0131m. <\/p>\n\n\n\n

    Tamamen beyaz olan arka plan\u0131n tekd\u00fczeli\u011finden pek memnun kalmad\u0131\u011f\u0131m i\u00e7in, daha ilgi \u00e7ekici bir etki elde etmek amac\u0131yla baz\u0131 b\u00f6lgeleri z\u0131mparalad\u0131m.<\/p>\n<\/div>\n\n\n\n

    \n
    \n
    \"\"<\/figure>\n\n\n\n
    \"\"<\/figure>\n<\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n
    <\/div>\n\n\n\n

    \u00d6zetleme<\/h2>\n\n\n\n
    \n\n\n\n
    \"\"<\/figure>\n\n\n\n

    Sonu\u00e7 olarak genel anlamda \u00e7ok memnunum. Uzun bir s\u00fcre\u00e7ti ama kesinlikle tekrar deneyece\u011fim bir \u015fey; bu sefer par\u00e7alar\u0131 daha az rastgele kesmek i\u00e7in do\u011fru aleti kullanaca\u011f\u0131m. <\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Dipnotlar<\/h2>\n\n\n\n
    \n\n\n\n

    A\u015fa\u011f\u0131daki \u00e7evrimi\u00e7i i\u00e7erik, bu projenin olu\u015fturulmas\u0131 s\u0131ras\u0131nda bir miktar yard\u0131m ve\/veya ilham sa\u011flad\u0131:<\/p>\n\n\n\n\n\n

    \n
    \n
    \n